The Minimalist

Euna Kang’s modern home injects fresh design into an old neighbourhood.




October 1, 2017


photography by Curtis Trent

Min bed designed by Luciano Bertoncini; original vintage Eames lounge chair and ottoman designed by Charles and Ray Eames for Herman Miller


When graphic designer Euna Kang designed her home in 2015 in collaboration with ArtHouse Residential, respecting the history of the area was a priority for her. The house — black, steel boxes stacked three storeys high — is located in Garneau, a well-established neighbourhood near the University of Alberta. The modern exterior, complete with a bold orange front door, is softened by rustic wood details. “I wanted to build a house that feels like a cottage in an urban setting,” Kang says.

The home’s dark exterior is a deceptive outer shell, as the inside is flooded with light. Natural white oak floors run through the home, as well as clean, white walls. Large southwestern-facing windows maximize the amount of sunlight that enters the house, and highlight the century-old tree that grows on the property. “I always wanted to have a treehouse,” Kang says, “so it’s all kind of designed around the tree.” In the living room, leaves brush against the glass, making the tree — a historic emblem of a longstanding community — a focal point of Kang’s contemporary new build.

The limited space offered by an infill in an older area meant that Kang had to get creative with her design. The house has a compartmentalized design meant to maximize space — and the rooms are worth the climb. On the third floor, a rooftop terrace rises above the surrounding houses, and offers a sense of isolation amongst nature. On summer nights, Kang enjoys relaxing with family — sons Sam and Owen, and her dog, Oliver — on the canary-yellow outdoor furniture, and soaking up the warmth from the concrete fire table. In the master bedroom, also located on the top floor, large skylights line the ceiling across from the bed. Kang often opens these at night, allowing the evening air to flow through the room.

“This home isn’t about glitz, it’s about an idea,” Kang says. “The treehouse concept can only work in an old neighbourhood. I think respecting the history of a place is so important, but not necessarily the most creative way to develop a community. I wanted to take from the old and reinterpret it, with a modern aesthetic.”


Kitchen: IKEA Ringhult cupboards; Grain pendant lights by Muuto; Alfi high-back counter stools, designed by Jasper Morrison for Emeco; Living Room: vintage (original) Eames moulded plywood chair (DCM), designed by Charles and Ray Eames for Herman Miller; Nelson ball clock, designed by Irving Harper for George Nelson Associates, produced by Vitra


Dining: Eames moulded plastic dowel-leg side chairs (DSW), Designed by Charles and Ray Eames for Herman Miller


Kang also wanted to build a house that would last. Steel siding and a steel roof ensure her home will remain in good condition for years to come. “Building a new home also offers opportunities to embrace developing technology,” Kang says, and she hopes to eventually install solar panels, as well as a charging station for an electric car in the garage, as the technology becomes more affordable. Building her home was an exercise in efficiency. “I needed to utilize every square inch of space, that’s why we built up. I think walls define a space, and I find a comfort in well-sized, proportionate space that feels cozy.”

Despite all the colour, it is the many white walls that make Kang’s house feel so open and bright. They also offer a blank canvas for design. When choosing the glossy white cabinets in the kitchen, Kang’s contractor warned that the home could become overwhelmed by white. She assured him that she would bring colour into the rooms later, with furniture and artwork.

Kang made good on that promise. In her home office, a rainbow rug catches the eye and brightens up the space, as does a white desk with vivid orange accents. In the living room, brightly coloured sofas and two pieces of vintage Danish furniture tie the space together. These warm-toned accents bring a cozy, comfortable vibe to the contemporary design.

In the kitchen, a favourite painting by Edmonton artist David Cantine grounds the decor. After holding on to the piece for nearly 20 years, Kang found the perfect place for it in her new home, and even furnished the kitchen with items that would complement the artwork. The matte grey chairs at the island, as well as the multi-coloured pendant lights above it, reflect the shapes and colours in the painting. “It’s pretty nerdy stuff,” Kang says, “but it all ties in.”

The Nordic-inspired, minimalistic design of Kang’s home means that she isn’t in a hurry to fill the rooms with objects — her passion was for building the house from the ground up. Vibrant accent pieces bring her unique aesthetic to the space, but she ultimately wanted to design a home that offered a clean slate, where anyone could alter it according to his or her individual style.

“That was my philosophy when designing this space; it’s a blank canvas. Even if I don’t live here, someone else can bring their personality into the home. That’s the beauty of minimalist design: you can’t force it. You have to let it come to you."


Outdoor furniture from Crate and Barrel; fire table from Lowe’s


This article appears in the October 2017 issue of Avenue Edmonton. Subscribe here.


 

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