#YEG: All of Edmonton’s a Stage

On theatre and geography.

Stories can take place anywhere, but some of the stories that mean the most to me are set in Edmonton. There’s Lynn Coady’s short story “The Natural Elements” from her collection, Hellgoing. It’s a funny but touching exploration of a born-and-raised Edmontonian’s encounter with outsiders from California. There’s also Todd Babiak’s novel The Garneau Block, first serialized in the Edmonton Journal in 2005. Back then, I remember following the novel’s progress and feeling hopeful that I, too, could maybe set a novel in the town that I then called home.

It’s not just that Edmonton is populated by quirky, dysfunctional, reckless, artistic, smart, stupid, well-adjusted, psychopathic and community-minded people. Pretty much any large city will represent the glorious diversity of humankind. There are three distinguishing reasons why Edmonton, in particular, can make a perfect setting for fiction.

It’s impossible to overlook the severity of the Edmonton winter. It’s the elephant in the room of any discussion about Alberta’s capital, and an elephant that can and must be acknowledged. Let’s admit that winter is a pretty demanding character in its own right. Consider how winter changes things: Cigarette smoke is transformed into a giant cloud; trees covered in hoar frost look like delicate skeletons. And winter often imposes itself on your personal plans. One New Year’s Eve, after a party, my wife and I took a late-late bus from downtown to Southgate Centre. Suddenly we found ourselves stranded, because the transit system stopped running. We were still 50 blocks from our destination. Not a cab in sight. Edmonton’s severe winter raises the stakes in this kind of situation. It was -28 Celsius. Minus twenty-eight, people! They don’t know about this in Paris, London or New York. Fortunately, a car-full of revelers stopped for us and drove us the rest of the way. Did they save our lives? It sure felt like it.

There’s also Edmonton’s particular geography. Stand on Saskatchewan Drive at night and you’ll see high-rising apartment buildings and downtown office towers. But you’ll also see the steep banks of the North Saskatchewan River, and the still-thriving wilderness growing alongside, and you can get the impression that the human dwellings are little more than temporary campsites on an ancient landscape.

The third reason that Edmonton is the perfect setting is that it is, or was once, home. I lived in Edmonton from 1989 to 2007. I completed high school, earned a degree at the University of Alberta, worked my first proper job, made many friends and met my wife. Through all this, I grew to know the place intimately. So to me, the adage, “Write what you know” rings true. As home, Edmonton is the perfect setting for any endeavour, of course, not just writing. Me, I’ll always feel my connections to Edmonton strongest through family, friends – and fiction.

Laurence Miall is the author of the Edmonton Journal’s No. 1 bestselling novel, Blind Spot, published in 2014 by NeWest Press. His writing will also appear in 40 Below: Volume 2, a forthcoming collection of stories inspired by Alberta winters. He currently lives in Montreal.

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